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Clarice Sanvicente is an artist originally from Sao Paulo, Brazil but currently lives and works in Brooklyn, NY. Her background is an advertising and photography and her work is greatly influenced by photography, both in the framing and freezing. She uses photography as an instrument to capture an image that\u2019s faithful to its space and time. At the same time, the use of black and white creates a distance from reality, creating ambiguity with the imaginary and nostalgic aspect of the object.
\u201cHer paintings are about time. A time based on reality and every day life, but evokes nostalgy. As if she were painting the memory of things. Her early sculptural paintings present and represent objects that have been forgotten. Fragments of a place , a house, an empty space. They\u2019re visual simulations. They emanate a silent temporality.\u201d (excerpt by Jurandy Valenca) <\/p>\n\n\n\n
XII Sal\u00e3o Interno ABRA de Artes Pl\u00e1sticas<\/strong> \u2013 june 1999<\/p>\n\n\n\n Curators: Ricardo Trevisan, Sandra Cinto, Stela Maris Sanmartin<\/p>\n\n\n\n 25o Sal\u00e3o de Arte de Ribeir\u00e3o Preto Nacional Contempor\u00e2neo<\/strong> \u2013 june 2000<\/p>\n\n\n\n Curators: Aracy Amaral, Lorenzo Mammi, Rejane Cintr\u00e3o<\/p>\n\n\n\n IV Mostra do Programa de Exposi\u00e7\u00f5es 2001- Centro Cultural S\u00e3o Paulo<\/strong> \u2013 november 2001<\/p>\n\n\n\n Curators: Renata Lucas, Jos\u00e9 de Moura Resende Filho, Marco Garaude Gianotti, Rejane Cintr\u00e3o, Miriam Edith Bolsoni<\/p>\n\n\n\n XIV Sal\u00e3o de Artes Pl\u00e1sticas de Praia Grande<\/strong> \u2013 july 2002.<\/p>\n\n\n\n Curators: Celso Fioravante, Elias Muradi, Ricardo Trevisan<\/p>\n\n\n\n Pol\u00edticas Pessoais<\/strong> \u2013 Museu de Arte Contempor\u00e2nea de Americana november 2001<\/p>\n\n\n\n Curator: Jurandy Valen\u00e7a<\/p>\n\n\n\n Bienal Extra<\/strong> \u2013 march 2002<\/p>\n\n\n\n Curators: Isabella Prata e Sandra Bigheti<\/p>\n\n\n\n Indoors Outdoors<\/strong> \u2013 Regina Pinho de Almeida Escrit\u00f3rio de Arte \u2013 October 2003<\/p>\n\n\n\n Curator: Regina Pinho de Almeida<\/p>\n\n\n\n Mostra do N\u00facleo de Arte Contempor\u00e2nea da ABRA<\/strong> \u2013 november 2003<\/p>\n\n\n\n Curators: Elias Muradi, Gisela Benati, Mila Thiele Lucia de Souza Dantas, Rubens Pontes<\/p>\n\n\n\n Diminutos<\/strong> \u2013 ABRA \u2013 December 2003<\/p>\n\n\n\n Curators: Elias Muradi, Gisela Benati, Mila Thiele Lucia de Souza Dantas, Rubens Pontes<\/p>\n\n\n\n Corpo em Substrato<\/strong> \u2013 ABRA \u2013 october 2006<\/p>\n\n\n\n Curators: Elias Muradi, Gisela Benati, Mila Thiele Lucia de Souza Dantas, Rubens Pontes<\/p>\n\n\n\n Dist\u00e2ncias<\/strong> \u2013 Centro Cultural Blue Life \u2013 july 2006<\/p>\n\n\n\n Curator: Lilian Heitor<\/p>\n\n\n\n Baseado em Fatos Reais<\/strong> \u2013 Galeria Emma Thomas -S\u00e3o Paulo \u2013 july 2007<\/p>\n\n\n\n Curator: Luciana Nemes<\/p>\n\n\n\n The Influx of Discourse<\/strong> – Uncool Gallery, Brooklyn, NY – november 2024<\/p>\n\n\n\n Curator: Carolina Paz<\/p>\n\n\n\n Spring\/break art show<\/strong> – Los Angeles (Influx collective) – virtual – february 2025<\/p>\n\n\n\n Pulling the Thread<\/strong> – Uncool Gallery, Brooklyn, NY – april 2025<\/p>\n\n\n\n Curator: Carolina Paz<\/p>\n\n\n\n Outdoors<\/strong> – solo exhibition at Uncool Gallery, Brooklyn, NY – april\/may, 2025<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Clarice Sanvicente is an artist originally from Sao Paulo, Brazil but currently lives and works in Brooklyn, NY. Her background is an advertising and photography and her work is greatly influenced by photography, both in the framing and freezing. She uses photography as an instrument to capture an image that\u2019s faithful to its space and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-3","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/pages\/3","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3"}],"version-history":[{"count":4,"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":122,"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=\/wp\/v2\/pages\/3\/revisions\/122"}],"wp:attachment":[{"href":"https:\/\/claricesanvicente.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}